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Jongole Mitin Mashi Movie Review: A Conservation-Centric Family Adventure 2023

8 November 20236 November 2023 by smgbnation.com

Arindam Sil’s “Jongole Mitin Mashi” draws inspiration from Suchitra Bhattacharya’s book, “Saranday Shoytan,” and offers an action-adventure with a compelling conservation message. For fans of Koel Mallick’s previous action-packed roles, this film showcases her in a different light, emphasizing a crucial environmental message.

The plot unfolds as Mitin, or Pragyaparamita Mukherjee (Koel Mallick), takes on a case that leads her deep into the Saranda forests, where ruthless poachers are targeting elephants for their tusks. Accompanying her on this mission are her husband, Partha (Subhrajit Dutta), niece Tupur (Lekha Chatterjee), sister Saheli (Kamalika Banerjee), and brother-in-law Abani (Ashim Roy Chowdhury), all of whom inadvertently become part of her investigation. While Mitin is determined to keep her family out of harm’s way, they choose to assist her, disregarding her warnings.

Conservation plays a significant role in this movie, underlined by stunning, well-captured scenes of the forests and wildlife, along with frequent reminders of the importance of maintaining ecological balance. Mitin is resolute in her zero-tolerance stance against those disrupting this equilibrium, a principle that motivates her to take on the case, at the request of Divisional Forest Officer Aniruddha Sen, even if it deviates from the book’s narrative.

Koel Mallick once again delivers a powerful performance as Mitin, commanding the screen with her dialogue delivery and physical prowess. Tupur, her trusty sidekick, is portrayed as a smart and observant character by Lekha Chatterjee. Kamalika Banerjee and Ashim Roy Chowdhury inject humor into the otherwise serious storyline as her sister and brother-in-law, while Subhrajit Dutta skillfully portrays her constantly concerned husband, Partha.

The music composed by Bickram Ghosh, particularly the foot-tapping “Dhamsha Dhitam” (performed by Timir Biswas and Iman Chakraborty) and the haunting “Gahana Upavana” (sung by Shubha Mudgal), adds depth to the film. The background score and sound effects enhance the cinematic experience, although certain CGI and action sequences could have been improved. In some instances, Koel Mallick’s expressions might have been more fluid, perhaps missing the spark from her earlier feisty detective role. The ending could also have been more concise. Nevertheless, “Jongole Mitin Mashi” is a family-friendly entertainer that warrants attention for its vital message of forest conservation.

Movie Review:

Bagha Jatin Movie Review: Dev’s Remarkable Portrayal in this Patriotic Biopic

30 October 2023 by smgbnation.com

In the realm of Indian cinema, “Bagha Jatin” emerges as a tribute to the unsung hero of India’s freedom struggle, and Dev, the lead actor, takes center stage to deliver a memorable performance. While this film certainly has its merits, it also falls short in some aspects that could have elevated it to greater heights. The narrative, in particular, suffers from some pacing issues and a lack of backstory for pivotal characters involved in Bagha Jatin’s mission.

Director brings to life the story of Bagha Jatin, the revered Bengali freedom fighter, with dedication and authenticity. The film encapsulates a bygone era, but it could benefit from a more contemporary pace to keep audiences thoroughly engaged.

One of the film’s shortcomings is the editing, which leaves room for improvement in tightening the narrative. A more seamless flow would have enhanced the viewing experience. Although the film embraces its period setting, a faster pace could have injected more dynamism into the storytelling.

One of the narrative’s weak points is the lack of a compelling backstory for many of Bagha Jatin’s primary contacts during the planning stages and his team during execution. This omission detracts from the depth and engagement that the film could have achieved.

Nonetheless, the film shines in various areas, starting with Dev and Sudipta’s outstanding performances. Dev embodies the spirit of Bagha Jatin, and Sudipta, as Jatindranath’s elder sister Binodbala, complements him with her remarkable portrayal. Additionally, Carl delivers an impressive performance as Bagha Jatin’s nemesis, British cop Charles Tegart. The film boasts a strong ensemble cast, and even the smaller roles of freedom fighters are executed with great skill.

The film’s true strength lies in its action sequences. Whether it’s Bagha Jatin’s encounters with the police or intense gun battles, the action scenes are riveting. The judicious use of slow motion and a captivating background score succeed in delivering an adrenaline rush to the audience. The film’s cinematography is commendable throughout, but it truly excels during the action sequences, where the camerawork elevates the overall quality of the film.

A standout moment in the film is the VFX sequence that reveals how Jatindranath earned the moniker ‘Bagha’ by slaying a tiger. The hyper-realistic portrayal of the tiger and the execution of this sequence significantly enhance the film’s production quality.

Another memorable sequence portrays Bagha Jatin adopting various disguises, including that of a Naga Baba and a leper, to evade capture while traversing the streets of Calcutta. The makeup work in this sequence is particularly impressive and adds authenticity to the character transformations.

The film’s music, composed by Nilayan Chatterjee, is a standout feature, with several patriotic songs that stir the audience’s emotions. The background score effectively complements the on-screen emotions, enhancing the overall viewing experience.

In conclusion, “Bagha Jatin” is a film that warrants a visit to the theater with an open mind. If you expect a patriotic film on the scale of “RRR,” you may be disappointed. However, if you are eager to delve into the life and journey of the renowned Bengali freedom fighter, Bagha Jatin, then this film is a must-watch. It is a cinematic tribute to a hero whose contributions to India’s struggle for independence deserve recognition and remembrance.

Movie Review

Anatomy of a Fall Movie review 2023

30 October 2023 by smgbnation.com

“Anatomy of a Fall” is a refreshing take on the courtroom drama genre, as it delves into the intricacies of a marital relationship. Justine Triet’s film starts with a conventional mystery but gradually transforms into an exploration of a different kind of fall – not just a physical one, but the decline of a partnership over years marked by resentment and betrayal. At its core, the movie features a remarkable performance by Sandra Holler, possibly one of the best of the year. She plays a woman thrust into a nightmare when a French court indicts her for the murder of her husband. The film was awarded the Palme d’Or at the Cannes Film Festival, and rightfully so, as it transcends the boundaries of a mere mystery, becoming a profound examination of a marriage from various angles while emphasizing the idea that understanding others completely is a near-impossible feat. It’s a bold, lengthy film that may occasionally feel aloof and self-indulgent, but it builds up to a series of scenes that pack a powerful emotional punch, much like when a disagreement with a partner escalates beyond control.

Huller portrays Sandra, who is introduced through an interview about her life as a famous author. Triet’s film cleverly plays with the notion that writers inherently draw from the people around them to create unique characters, thereby making the protagonist’s profession integral to the narrative. It’s noteworthy that the lead couple shares the names of their real-life performers. As the interview progresses and takes on a slightly flirtatious tone, loud music abruptly disrupts the scene. This interview takes place in a remote cabin in the French Alps, surrounded by snow, where Sandra and her husband Samuel reside. The interruption comes from Samuel, who is playing an instrumental version of 50 Cent’s “P.I.M.P.” on repeat, at an increasingly higher volume. He appears to be deliberately sabotaging the interview, and he succeeds in driving the interviewer away. Their son, Daniel, takes their dog Snoop for a long walk during this chaos. When Daniel returns, he discovers Samuel lying in the snow with a bloody head wound. The central question emerges: Did he fall from the attic where he was working? Did he jump? Or was he pushed?

For the next two-and-a-half hours, “Anatomy of a Fall” meticulously documents the investigation and trial surrounding Samuel’s death. Every decision made not only on that fateful day but throughout much of their marriage is scrutinized by people who have never met Sandra, Samuel, or Daniel. The film vividly illustrates the avalanche of personal baggage that surfaces when a death is ruled inconclusive. Samuel’s therapist testifies that he wasn’t suicidal, but it’s evident that he only showed the therapist what he wanted him to see. The interviewer, who had just met Sandra, is asked to provide insights into a woman she barely knows. What could she possibly understand about their lives? The movie skillfully emphasizes that we only ever see a fragment of a person’s mental state. At times, it feels like Sandra’s personality is on trial. Nevertheless, some of the evidence suggesting her guilt is rather compelling.

“Anatomy of a Fall” might sound like it’s playing a mysterious game, but it avoids manipulation and suspense tactics. The film actually improves when it abandons some of the gamesmanship that a lesser filmmaker might rely on to tell this story. While there is a puzzle to be solved here, the true focus is on how couples communicate, or fail to do so, and the consequences of this communication breakdown. It’s significant that neither Sandra nor Samuel primarily communicate in their native language; they find common ground in English. Additionally, Daniel suffers from reduced eyesight due to an accident. The film underscores the idea that we don’t fully comprehend each other, and we don’t entirely see each other.

Sandra Huller delivers an astonishing performance, keeping much of Sandra’s motivations and hidden skeletons internalized. It’s evident that she has meticulously considered every aspect of this character, resulting in a nuanced, fully realized portrayal where the character’s backstory feels palpable in almost every scene. The film delves into the questions of how a woman like Sandra arrives at a point where her husband is suddenly dead, and her entire life is on trial. How does this traumatic event affect her? Huller’s performance avoids melodrama, which makes the film’s emotionally charged climax in an intense flashback all the more powerful and emotionally resonant. There’s a less accomplished version of “Anatomy of a Fall” that leans on overwrought melodrama and mystery, but this film prioritizes character development, and it’s the trust between Triet and Huller that anchors every scene and ties the narrative together.

At times, the 151-minute runtime may feel excessive for this story, but it adds to the film’s literary quality, setting it apart from conventional genre storytelling. The extended duration allows the audience to truly feel the coldness in Sandra and Samuel’s home – the chill in the air from both the snow outside and the emotional warmth that has drained from this family. How does one overcome feelings of resentment, infidelity, and a lack of trust in a partner? Or even worse, the sense that a partner doesn’t care? “Anatomy of a Fall” delves deep into these questions, but its most significant strength lies in acknowledging that it doesn’t possess all the answers.

Movie review

Raktabeej Movie Review: Nandita and Shiboprosad’s Departure into Action Thrills 2023

30 October 2023 by smgbnation.com

Nandita Roy and Shiboprosad Mukherjee, the renowned director duo known for their heartwarming family dramas, have ventured into uncharted territory with “Raktabeej.” In this action-adventure film, they take a departure from their comfort zone to deliver a power-packed, high-octane thriller.

The movie, featuring a talented ensemble cast, unfolds in the remote town of Khoyragarh. A sudden explosion shatters the tranquility, revealing a sinister terror plot with a potential attempt to assassinate the President of India, who happened to be in the vicinity. The local police force joins forces with specialists from the mysterious ‘Centre’ to thwart the threat and ensure the safety of the VVIP. Meanwhile, the terrorists continue to hatch their nefarious schemes.

The director duo’s meticulous planning is evident as they craft a tightly-knit script, dividing it into distinct days and segments that seamlessly interweave to offer a range of narratives and perspectives. What initially appears to be a straightforward operation unfolds through various characters and their intricate interpersonal relationships, a storytelling style they have perfected in films like “Gotro,” “Bela Seshe,” and “Praktan.” This approach does not dilute the essence of the fast-paced narrative, which is elevated by well-executed, tightly edited action sequences, credited to Pratip Mukherjee.

The film boasts a diverse ensemble cast, including Victor Banerjee, who portrays the President of India with his signature gravitas and effortless charm. His character returns to his hometown for Durga Puja, reuniting with his older sister, played by Anashua Majumdar, who is thrilled to see him but disapproves of his decision to reject a mercy plea. The on-screen chemistry between the two siblings is enriched with flashbacks from their childhood, illustrating how they served as each other’s pillars of support. On the other hand, when Pankaj Sinha (Abir Chatterjee) enters the scene, he faces considerable disdain from the regional police head, Sanjukta (Mimi Chakraborty), who fears he may overshadow her accomplishments. Abir and Mimi exude a palpable chemistry that greatly enhances their interactions, whether they are working together to pursue a villain or engaging in verbal sparring.

However, Kanchan Mullick, in the role of the local police officer in charge, steals the show with his memorable catchphrases and the humorous way he mangles the Hindi language simply by speaking it. Debasish Mondal, portraying the elusive Munir Alam, delivers an exceptional performance, while other supporting actors, including Ambarish Bhattacharya, Tanusree Shankar, Gulshanara Khatun, Devlina Kumar, and Satyam Bhattacharya, perform commendably in their respective roles.

The film incorporates songs and music judiciously, enhancing the overall cinematic experience. The lively “Gobindo daant maje na,” the melodious “Nakku Nakur Na Jao Thakur,” and the enchanting “Gouri Elo” are tunes that are bound to stay with the audience. The integration of poetry, notably Rabindranath Tagore’s “Birpurush,” is tastefully done, adding depth to the narrative.

While “Raktabeej” intends to convey a powerful message about terrorism, it may not delve deeply into the backstories of all the characters or complete their character arcs. Nevertheless, for those curious to see how these filmmakers, known for their social and family dramas, have successfully navigated the action-thriller genre, this film is a must-watch this season.

MOVIE REVIEW

RDX Movie Review: Adeptly Combined Action and Emotion

24 October 2023 by smgbnation.com

Story: In “RDX,” we are introduced to the world of three close friends, Robert, Dony, and Xavier, who were raised mastering martial arts. Their upbringing has honed their skills, making them formidable fighters. The trio often resolves conflicts with their martial arts abilities, which frequently results in confrontations. However, a significant event forces them to reconsider their approach, and their shared history ominously lingers in the background. The central question is whether they can successfully confront their past vendetta.

Review: “RDX” is a dynamic and hyperactive action film that expertly combines adrenaline-pumping fight sequences, high-stakes stunts, tension-filled moments, a touch of nostalgia, and electrifying music. The story revolves around three “angry young men” in Kochi: the brothers Robert and Dony, along with their friend Xavier. Bonded by their upbringing and their shared passion for martial arts, Robert excels in karate, Dony in boxing, and Xavier favors nunchucks.

Fresh out of college, their fiery youth is marked by a focus on testing their skills through local fights and pursuing love. This direction renders them somewhat aimless, yet their innocence and naivety are endearing. In the midst of no-holds-barred battles, a pivotal fight prompts their families to intervene, causing them to take a step back momentarily. Despite trying to leave their confrontational past behind, their history continues to cast a shadow over them, leading to a dilemma: should they confront or ignore their past? The movie delves into their journey of dispelling confusion and coming to terms with their history.

Shane Nigam, Antony Varghese, and Neeraj Madhav skillfully bring their characters of Robert, Dony, and Xavier to life. They infuse energy into the action-packed scenes with flying fists, raining kicks, knock-out punches, and roundhouse kicks. Shane Nigam’s portrayal of Robert is particularly charming, showcasing his playful romance, innocent smiles, dance moves, action sequences, and romantic persona. Antony Varghese captures the essence of Dony, a family man simmering with suppressed rage. Neeraj Madhav excels as Xavier, the dependable friend who seamlessly blends his dancing prowess with stunts. Vishnu Agastya emerges as a promising talent, exuding determination through his fiery gaze and flexible movements, injecting a breath of fresh air into his character. Lal, Mala Parvathy, and the opposing team members, along with the nostalgic presence of 90’s action star Babu Antony, contribute significantly to the movie’s heightened impact. However, Babu Antony’s potential could have been better utilized.

Debutant director Nahas Hidayat presents an enthralling entertainment for action movie fans. The screenwriting by Adharsh Sukumaran and Shabas Rasheed expertly blends action and family drama, incorporating elements of romance, friendship, and family bonds. The dynamic music by Sam CS elevates the emotions, intensifying the film’s impact. The music seamlessly complements various combat styles depicted in the movie, resulting in a riveting experience. Action director Anbu-Arivu captures the film’s essence, choreographing an exceptional fighting movie in Malayalam that leaves audiences invigorated.

Capturing the fire, energy, and intensity of action sequences on camera can prove challenging. While Alex J Pullikal’s work is commendable, there are instances where the spark is missed. Editor Chamman Chacko adeptly blends visuals but occasionally falls short of matching the story’s high-energy narrative. The story’s timeline is occasionally unclear due to shifts in fashion and ambiance. It’s sometimes difficult to determine whether the sabbatical was five or ten years long.

The central theme of “RDX” is ‘rage,’ a dominant emotion in this action flick. This celebration of anger amidst heightened youth crime due to post-COVID psycho-social impacts raises questions about the portrayal of rage in the film. From a creator’s standpoint, infusing rage becomes pivotal for widespread appeal in action films. Even within a family of predominantly masculine figures exuding anger, contrasting instances emerge. Mothers who weep for their children and can be manipulated in the name of love stand out. Amid evolving gender sensitivities, the inclusion of a scene aimed at applause appears incongruous within the larger narrative.

In conclusion, “RDX” delivers an adrenaline rush of action cinema. It’s an action-packed film that promises an exciting and energetic holiday season for fans of the genre.

The Killer movie review 2023

24 October 2023 by smgbnation.com

review:

In many ways, “The Killer” is exactly what you’d expect from a David Fincher movie centered on a hired assassin: a detail-rich procedural about what a hitman is forced to do as his calculated world implodes. And by telling this story of a deadly perfectionist who repeats phrases like “Forbid Empathy” to keep himself centered, Fincher leans into his reputation as a precise—almost obsessive—filmmaker. “The Killer” may be based on a graphic novel by Alexis “Matz” Nolent, but it feels like Fincher’s most personal film to date.

Of course, it helps to have a leading man who’s proven himself adept at playing soulless monsters before and there are elements of David from “Prometheus” in what Michael Fassbender brings to Fincher’s nameless protagonist. “The Killer” opens with a lengthy voiceover scene as we watch this assassin on a multi-day stakeout in Paris. He keeps an eye on the café below, dips out to McDonald’s for protein, and listens to The Smiths on repeat (about a dozen songs from the landmark band give the film an incredible soundtrack and add to its deadpan humor). But he generally tries to blend in, noting that he picked his disguise as a German tourist because most French people avoid German tourists. In this character-defining prologue, Fincher and writer Andrew Kevin Walker (“Seven”) set the pace that nothing is rushed. It’s a deliberate peek into the mind of a murderer, someone who justifies his actions by noting how many people are born and die each day—anything he does is just a drop in a massive bucket.

After a few days in Paris, The Killer’s target finally appears in the penthouse across the street. And then something happens that never has happened to this film’s “hero”—he misses, hitting an innocent bystander instead of the intended victim. He immediately knows what this means and races home to the Dominican Republic to find his partner clinging to life. The clean-up crew has already come for both of them. It’s here where The Killer essentially breaks his own rules. He has stocked storage units in multiple cities and enough money in foreign accounts to never be seen again. He could run. But the man who has told himself never to improvise and always to keep things from getting personal goes in the other direction, trying to burn those who came into his house and those who hired them. Arliss Howard, Charles Parnell, and Tilda Swinton co-star, but this is basically a one-man show, the tale of an icy assassin forced to get a little hot.

One can sense Fincher’s passion for this project in every frame as he returns to themes that have long interested him: obsession, perfectionism, and power. It helps a great deal that he brings along several of his most accomplished collaborators, including cinematographer Erik Messerschmidt (“Gone Girl”), editor Kirk Baxter (“The Social Network”), and even Trent Reznor & Atticus Ross to handle the score. On a technical level, “The Killer” hums like few films of its type in recent years just because of the pedigree of the team behind it. One senses they all have the same perfectionism as the notoriously detailed filmmaker, and this is the kind of production that rewards that sense of detail. It’s not a film that should be rough around the edges—it succeeds because it’s as finely tuned as one of The Killer’s jobs.

Of course, some will question why we’re watching an amoral monster try to save himself, and it’s worth noting that Fincher and Walker don’t shy away from this. I kept expecting “The Killer” to try and soften its leading man, but there’s no escaping that he is a cold-blooded murderer. When he snapped one victim’s neck, I heard a gasp in my film festival audience, like they expected mercy. That’s not an item in this character’s go-bag, and his completely cynical and procedural approach to murder will turn some people off. This is not a story of redemption but precision; it’s what happens when one of the most precise people in the world makes a mistake. Fincher and Walker rush the final act, especially the shortest epilogue ever, but that complaint may fade on second viewing as I believe it fits the no-nonsense approach of the title character.

All of this might make “The Killer” sound like a drag, but it’s worth noting that it’s actually one of Fincher’s funniest films. There’s a phenomenal running bit about the assassin’s fake names. And there’s a cavalcade of familiar brands like Starbucks, Amazon, WeWork, and even Wordle, a comment on a world that’s commodified and cold enough to allow a killer to slide through it unseen because people are too distracted by something else. He counts on that to do his job.

Finally, there’s the undeniable Fincher-ness of “The Killer.” One could see it as a filmmaker playing his greatest hits with his best bandmates again, but there’s something deeper at play here. This isn’t just the work of an artist repeating himself; it’s the work of one reworking his themes and obsessions into something brave and new. It ultimately asks if people like The Killer can shut the world out to get the job done. And, by extension, if a master like David Fincher can too.

The Killer movie review

The Persian Version” Review: A Deep Dive into Cultural Dichotomies and Mother-Daughter Dynamics

24 October 2023 by smgbnation.com

The Persian Version” Review:

In the opening scene of “The Persian Version,” Leila, played by Layla Mohammadi, dashes down the street in a burqa, cheeky swim bottoms incongruously peeking out. This playful yet thought-provoking introduction, crafted by writer/director Maryam Keshavarz, sets the tone for the entire film. The narrative immediately immerses us in a world of hilarity and reflexive discomfort, expertly portraying the stark contrast between opposing values. This unapologetic comedy skillfully lays the foundation for the story that unfolds.

Leila, the daughter of Iranian-American immigrants, is the sole girl among nine siblings, burdened by the weight of immense familial expectations. She constantly straddles the line between two cultures, each exerting its own unique influence on her. In a series of settings that coerce her to pick a side, she grapples to find her own identity in the midst of this cultural tug-of-war. The family reunites in New York for her father’s heart transplant, and this proximity forces Leila into a complex relationship with her mother, adding another layer of tension to her already fraught existence. As secrets are unearthed, the cracks in their family’s foundation become more pronounced, and the film delves deep into the nuances of cross-cultural upbringing, generational trauma, and the bonds of womanhood.

“The Persian Version” pulsates with personality, striking a harmonious balance between humor and heart. With clever fourth-wall breaks and personality-driven one-liners, the film exudes an intimacy that draws the audience in. The script’s sharp wit and skillful tonal shifts enhance the emotional depth of the narrative, never undermining the story’s weight. Leila, a queer woman navigating the demands of patriarchal, hetero-normative femininity imposed by her mother, remains at the forefront of the film’s events, with every laugh contributing to the rich characterizations that drive the film’s emotional core. Comedy is not merely a tool but an integral part of “The Persian Version’s” overarching theme.

Layla Mohammadi delivers a phenomenal performance as Leila, effortlessly capturing the audience’s hearts and evoking laughter, often within the same scene. Her portrayal exudes a down-to-earth quality that fosters a deep sense of intimacy. Whether she’s engaged in a one-sided battle of wits with a one-night stand or seeking her mother’s acceptance, Mohammadi remains in sync with the quarter-life ennui that defines the character. The filmmaking aligns seamlessly with Mohammadi’s grounded performance, making viewers feel as if they are directly immersed in these scenarios, rather than mere objective observers.

Niousha Noor’s outstanding portrayal of Shireen, Leila’s mother, strikes a poignant chord with painful precision. Shireen is undeniably flawed, but as the film unfolds, we gain insight into the pain that informs her judgments and actions. Noor portrays Shireen with unwavering empathy and care, anchoring the film with an essential emotional core that complements Mohammadi’s performance.

“The Persian Version” scrutinizes this family from every angle, dissecting issues such as flawed communication, the projection of trauma, and the complex interplay of love and snark. It examines both the mother’s weaponized generational and cultural divisions and the daughter’s struggle to see her parents as individuals, imperfect and evolving within a broader context. The film navigates the difficult realization that parents, too, deserve grace, and this transition is seldom smooth. It’s a subjective and bewildering process, a fundamental shift in perspective.

Frequent narration, through fourth-wall breaks and voiceovers, underscores the film’s commitment to allowing these women to tell their stories, reinforcing the emotional bonds that propel the narrative forward. Paired with recurring shifts in timeline and perspective, this narrative structure captivates the audience’s attention while maintaining a snappy pace, although not without some minor interruptions in the film’s flow.

“The Persian Version” is a portrait of a daughter as seen through the lens of her mother’s history. It bravely confronts the complex challenges of mother-daughter relationships while never failing to acknowledge the love and pain that coexist within them. With heartwarming childhood vignettes, poignant flashbacks to rural Iran, and hilariously awkward confrontations, the film encapsulates the full spectrum of family dynamics and the quest for independence within it with genuine sincerity. The film underscores the radical act of demanding agency in a world governed by expectations, treating it with the necessary gravitas and gusto. Yet, it also grants equal importance to the everyday moments of life that inspire laughter, motivating us to continue moving forward.

Movie review

Killers of the Flower Moon movie review

24 October 2023 by smgbnation.com

“Killers of the Flower Moon” is a film directed by Martin Scorsese, based on David Grann’s non-fiction book of the same name. The story revolves around the Osage Nation, who, after being displaced to Oklahoma, unexpectedly found themselves immensely wealthy due to the discovery of oil on their land. However, this newfound wealth attracted the greed of those who sought to exploit it, leading to a fierce battle for control of the region. The film primarily focuses on the characters of Ernest Burkhardt, Mollie, and William King Hale, played by Leonardo DiCaprio, Lily Gladstone, and Robert De Niro, respectively.

Hale, also known as “King,” is a manipulative figure who capitalizes on the turmoil in the region. He is portrayed by De Niro, who delivers a standout performance as a sociopath who can commit heinous acts with a smile. Hale manipulates his nephew, Ernest, who has returned from the war and becomes involved with the wealthy Osage, leading to his marriage to Mollie. Tragically, Mollie’s family and other members of the Osage community are systematically murdered. The story delves into the personal and emotional struggles faced by these characters, particularly Mollie, who deals with illness and the threat of violence in her community.

The film features a rich ensemble cast, including Jesse Plemons as a BOI agent leading the investigation into the Osage murders, John Lithgow and Brendan Fraser as opposing attorneys in the case, and Tantoo Cardinal as Mollie’s mother. Additionally, several musicians-turned-actors, such as Charlie Musselwhite, Sturgill Simpson, Pete Yorn, Jack White, and Jason Isbell, play compelling roles in the narrative.

“Killers of the Flower Moon” may not fit the mold of a traditional gangster film, but it aligns with Scorsese’s exploration of corrupt and violent men, a theme he has been exploring throughout his career. However, there is also a sense of historical reflection in the film, as Scorsese uses this true story to examine the roots of societal issues a century later. The film raises questions about how violence and injustice became integral to the accumulation of wealth and inequality in the United States, touching on issues like the Tulsa Massacre and the Ku Klux Klan.

The film’s success relies on the collaboration of a talented team. Rodrigo Prieto’s cinematography captures the vastness of the Osage Nation and intensifies the emotional impact of close-up shots. Robbie Robertson’s score adds depth and tension to the story, setting the film’s rhythm apart from a traditional, classical score. Thelma Schoonmaker’s editing skillfully paces the film, ensuring that it maintains its momentum through its lengthy runtime.

In terms of performances, De Niro and DiCaprio, two of Scorsese’s longtime collaborators, deliver powerful performances that complement each other in their roles. However, it is Lily Gladstone’s portrayal of Mollie that stands out, as she skillfully avoids melodrama and instead focuses on the authenticity of the character. The ensemble cast as a whole excels in portraying the harsh reality of the situation rather than turning it into a history lesson.

“Killers of the Flower Moon” is a piece of storytelling where every element, from the direction to the performances, comes together to form a compelling narrative. As the film concludes, it raises the question of how society should respond when confronted with the evil that operates in plain sight.

movie review

Ravi Teja shines in ‘Tiger Nageswara Rao’ – a story of crime, redemption, and heroism

24 October 2023 by smgbnation.com

Story:

In the small town of Stuartpuram, a young Nageswara Rao (Ravi Teja) begins his life journey with dark undertones as he becomes deeply involved in the criminal world. This film, inspired by the real-life story of the notorious thief Nageswara Rao, meticulously traces his transformation. From his notoriety during the 1970s, earning him the moniker ‘Tiger,’ to his eventual evolution into a hero and savior of Stuartpuram.

Review:

In the intriguing blend of heists and heroism, “Tiger Nageswara Rao” manages to strike a resonant chord, weaving a narrative that seamlessly blends elements of crime and redemption. Director Vamsi Krishna opts for a grand storytelling style, reminiscent of the cinematic epics of recent years. The film boasts commendable visual and aesthetic appeal, though there are moments where it momentarily loses its grip, particularly in the second half, despite the presence of some impactful dramatic and emotional sequences.

Ravi Teja, the versatile actor with a history of compelling performances, wholeheartedly embraces the character of Tiger Nageswara Rao. His portrayal brings the protagonist to life, spanning the period from the 1950s to the 1980s. Ravi Teja’s performance stands out as he shoulders the movie with his charisma and unwavering commitment, thereby making the audience genuinely root for his character.

The supporting cast, including Anupam Kher as IB Officer Raghavendra Rajput, Nupur Sanon in her debut as Sara, Renu Desai as Hemalatha Lavanam, Jisshu Sengupta as CI Mouli, Murali Sharma as DSP Vishwanath Sastry, Hareesh Peradi as Yelamanda, Gayatri Bharadwaj as Mani, Sudev Nair as Kasi, Anukreethy Vas as Jayavani, and Nassar as Gajjala Prasad, deliver commendable performances. Each actor flawlessly embodies their respective characters, thereby adding depth to the storyline. Nupur and Gayatri, who portray Nageswara Rao’s partners, exude glamour and execute their roles with finesse. Seasoned actors Anupam Kher and Nassar seamlessly inhabit their characters, enriching the overall narrative. Renu Desai, making a comeback on screen after a prolonged hiatus, delivers a performance that is both subtle and nuanced. Jisshu Sengupta and Hareesh Peradi evoke a profound sense of rage in the audience through their antagonistic portrayals, ultimately leading to a satisfying climax.

While the first half captivates the audience with the intriguing shades of grey that surround Nageswara Rao’s character, the second half presents a redemptive arc, transforming him into a savior driven by noble intentions. However, the film’s brilliance is marred by its extended runtime, spanning over three hours. This prolonged duration somewhat diminishes the overall impact, diluting the intensity of the plot. Furthermore, the excessive violence, brutality, and gore, though appealing to some viewers, might be overwhelming for others. The well-choreographed action sequences do suffer in parts due to subpar visual effects in certain scenes, leaving room for improvement.

Technically, the film excels, with the creators employing warmer and darker hues to portray intense action sequences and opting for vibrant tones to depict the romantic aspects. GV Prakash’s music, coupled with Madhie’s cinematography and Kolla Avinash’s production design, elevates the film’s larger-than-life persona.

“Tiger Nageswara Rao” is a roller-coaster of emotions, oscillating between the dark alleys of crime and the redeeming light of heroism. Despite its flaws, the film manages to leave a lasting impact, largely due to Ravi Teja’s stellar performance and the ensemble cast’s collective brilliance. Nonetheless, a tighter edit and refined visual effects could have catapulted this saga to even greater heights.

Official Trailer

Strange World Movie Review 2023

22 October 2023 by smgbnation.com

“Strange World,” Disney’s latest sci-fi/fantasy film, is built upon a foundation of familiar elements. The story features a family of adventurers embarking on a mission to save the planet from an ecological crisis, an absent father, three generations of insecure male characters, and a group of underdeveloped female supporting characters with personalities that range from strong to loving. The film’s formulaic plot and emotional revelations borrow elements from films like “Avatar” and “Fantastic Voyage,” but it benefits from the exceptional talent of Disney’s animators, making it visually stunning on the big screen.

Co-directed by Don Hall and Qui Nguyen, who previously collaborated on “Raya and the Last Dragon,” “Strange World” showcases Nguyen’s solo writing byline, making it a notable debut feature for him. Hall, with a track record that includes Disney successes like “Moana,” “Big Hero 6,” and “Winnie the Pooh,” further contributes to the film’s appeal.

Compared to “Raya and the Last Dragon,” “Strange World” is a more comfortable and lower-stakes project for Hall and Nguyen. It appears that the co-directors draw inspiration from Disney’s ’90s animated classics, creating a film that genuinely reflects their combined talents rather than feeling focus-grouped to the extreme.

“Strange World” maintains a steady pace, compensating for its lack of dramatic tension. The story revolves around the stubborn explorer Jaeger Clade (Dennis Quaid), who abandons his insecure son, Searcher Clade (Jake Gyllenhaal). Searcher, in his quest to get his father’s attention, becomes fixated on a mysterious green plant named Pando. However, Jaeger dismisses both his son and Pando. Twenty-five years pass in an instant, and Searcher, now a hero in Avalonia, relies on Pando as the town’s primary power source. Searcher is now a Pando farmer, living a peaceful life with his wife Meridian (Gabrielle Union), their teenage son Ethan (Jaboukie Young-White), and their three-legged dog, Legend.

When Pando crops fail to produce the expected electrical charge, Callisto (Lucy Liu), an old friend of Jaeger’s, convinces Searcher to investigate. With his wife and son, Searcher embarks on a journey into a vast underground world, reminiscent of Pandora from “Avatar.” This mystical realm is filled with creatures, plants, and sentient fauna that resemble illustrations from old biology textbooks. In this vibrant, otherworldly setting, Searcher reunites with Jaeger, and their father-son dynamic is far from harmonious. Despite the potential for clichéd power struggles, the film wisely avoids falling into these tropes. Searcher’s parents are already aware of and accepting of their son’s identity, including his affection for a boy named Diazo. The film’s dialogue, while sentimental, manages to avoid feeling overly scripted or generic.

The animation and overall direction of “Strange World” are impressive, guiding the narrative through action and chase scenes. Among the strong ensemble voice cast, Quaid and Gyllenhaal stand out, but it is the animators who truly elevate the film. They infuse the screen with a lushly rendered surrealism reminiscent of illustrated paperback novels and matte paintings, filling each frame with magenta pterodactyls, pastel coral forests, and multi-colored tentacle grass oceans.

“Strange World” stands out as a kid-friendly animated film that doesn’t rely solely on groundbreaking ideas but excels through the careful execution of familiar concepts. This sets it apart from many recent Disney animated movies, making it an exceptional achievement in terms of execution rather than originality. In summary, “Strange World” is a worthwhile watch, and there are certainly worse choices for family entertainment.

Strange World Official Trailer: