Srijit Mukherji’s latest film, “Dawshom Awbotaar,” opens up a fascinating world of interconnected characters and timelines, akin to the concept of a multiverse found in Marvel comics. It serves as a prequel to some of his well-loved works, inviting viewers to explore a complex web of characters. In this narrative, we encounter Probir Roy Chowdhury (Baishey Srabon and Dwitiyo Purush) and Bijoy Poddar (Vinci da) teaming up to apprehend a serial killer who has unleashed a reign of terror on the city.
Set against the backdrop of the early 2000s, the story revolves around Probir Roy Chowdhury, a seasoned police officer portrayed by Prosenjit Chatterjee. His mission is to track down a serial killer who meticulously plans and executes murders based on the ten avatars of Vishnu. Along the way, he forms an unlikely partnership with officer Bijoy Poddar, brought to life by Anirban Bhattacharya. Despite their differences in age, experience, and outlook, they forge a compelling alliance reminiscent of classic cop duos like Bad Boys, Lethal Weapon, or Tango and Cash. Together, they race against time to prevent the antagonist, played by Jisshu U Sengupta, from committing more heinous crimes. Their efforts are supported by psychiatrist Moitreyee, portrayed by Jaya Ahsan, who claims to have treated the killer for mental illness.
As the plot unfolds, Probir and Bijoy’s characters begin to resonate with each other, revealing the complexities of their respective lives. Prosenjit’s portrayal of the cynical and astute Probir Roy Chowdhury is nothing short of powerful, while Anirban’s street-smart Bijoy Poddar complements him perfectly with his youthful exuberance. Together, they strike a harmonious balance between the pragmatic cop and the emotionally driven partner. Jisshu Sengupta, as the enigmatic antagonist, is a delight to watch, both in his deceptive disguises and his portrayal of a sinister character. Jaya Ahsan delivers a convincing performance as the troubled psychiatrist Moitreyee, although her chemistry with Anirban falls slightly short of the magnetic connection between the two lead cops.
Soumik Halder’s cinematography deserves accolades, capturing familiar locations and choreographing well-executed action sequences that add to the film’s allure. Anupam Roy and Rupam Islam contribute a formidable soundtrack, featuring tracks like the energetic “Agunkheko” and the contemplative “Ami sei manushta aar nei,” both of which are easily hummable.
The film experiences a notable shift in tone during its second act, as romance takes center stage, temporarily slowing the narrative’s momentum. This transition leads to a slightly drawn-out climax and introduces a few loose ends and improbable situations that might have benefited from a more concise resolution. Nevertheless, the palpable chemistry between Prosenjit and Anirban is a rare cinematic treat and a standout feature of “Dawshom Awbotaar.” This dynamic duo’s captivating performances ensure that the film remains an engaging watch, particularly during the festive season.