“Killers of the Flower Moon” is a film directed by Martin Scorsese, based on David Grann’s non-fiction book of the same name. The story revolves around the Osage Nation, who, after being displaced to Oklahoma, unexpectedly found themselves immensely wealthy due to the discovery of oil on their land. However, this newfound wealth attracted the greed of those who sought to exploit it, leading to a fierce battle for control of the region. The film primarily focuses on the characters of Ernest Burkhardt, Mollie, and William King Hale, played by Leonardo DiCaprio, Lily Gladstone, and Robert De Niro, respectively.
Hale, also known as “King,” is a manipulative figure who capitalizes on the turmoil in the region. He is portrayed by De Niro, who delivers a standout performance as a sociopath who can commit heinous acts with a smile. Hale manipulates his nephew, Ernest, who has returned from the war and becomes involved with the wealthy Osage, leading to his marriage to Mollie. Tragically, Mollie’s family and other members of the Osage community are systematically murdered. The story delves into the personal and emotional struggles faced by these characters, particularly Mollie, who deals with illness and the threat of violence in her community.
The film features a rich ensemble cast, including Jesse Plemons as a BOI agent leading the investigation into the Osage murders, John Lithgow and Brendan Fraser as opposing attorneys in the case, and Tantoo Cardinal as Mollie’s mother. Additionally, several musicians-turned-actors, such as Charlie Musselwhite, Sturgill Simpson, Pete Yorn, Jack White, and Jason Isbell, play compelling roles in the narrative.
“Killers of the Flower Moon” may not fit the mold of a traditional gangster film, but it aligns with Scorsese’s exploration of corrupt and violent men, a theme he has been exploring throughout his career. However, there is also a sense of historical reflection in the film, as Scorsese uses this true story to examine the roots of societal issues a century later. The film raises questions about how violence and injustice became integral to the accumulation of wealth and inequality in the United States, touching on issues like the Tulsa Massacre and the Ku Klux Klan.
The film’s success relies on the collaboration of a talented team. Rodrigo Prieto’s cinematography captures the vastness of the Osage Nation and intensifies the emotional impact of close-up shots. Robbie Robertson’s score adds depth and tension to the story, setting the film’s rhythm apart from a traditional, classical score. Thelma Schoonmaker’s editing skillfully paces the film, ensuring that it maintains its momentum through its lengthy runtime.
In terms of performances, De Niro and DiCaprio, two of Scorsese’s longtime collaborators, deliver powerful performances that complement each other in their roles. However, it is Lily Gladstone’s portrayal of Mollie that stands out, as she skillfully avoids melodrama and instead focuses on the authenticity of the character. The ensemble cast as a whole excels in portraying the harsh reality of the situation rather than turning it into a history lesson.
“Killers of the Flower Moon” is a piece of storytelling where every element, from the direction to the performances, comes together to form a compelling narrative. As the film concludes, it raises the question of how society should respond when confronted with the evil that operates in plain sight.